with its furious barrage of blasts and blistering solos
and using programmed drums for efficiency
even if this well-established and respected band’s very first proper release in 1991 (‘Privilege Of Evil’) was a direct continuation of it
one defined by the inherent discord between the visceral body of the songs and the ornate melodies reflected in the poignant interplay of guitars and keyboards
even beyond those obvious distinctions
WAXGOAT159 MAENAD & THE RAVERS (HONG KONG) - SUNDOWN - DLP Dungeon Synth with its furious barrage ofFrom hollow to height, from dawn to dusk, in the wake of social upheaval, comes that gothic icon in bygone age of the glory days of Hong Kong, the dreamweavers of post synth pop lamentation known only as Maenad & the Ravers. Rising from graveslumber in the age of 2019, Maenad & the Ravers are a duo of blue bone barratry, these by name of Cecilia Nox and MingEvilUndead, who since this age have been whispering goth wave sonic poetry by annual release of